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This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for FINH 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for FINH 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
This course develops a critical and creative approach to contemporary curating, museology, and writing on art. Topics include: a close examination of museums, galleries, and artist-run centres; the material cultures of display; collections; art writing. Students gain experience through curating art within a group dynamic. (Format: Seminar 3 Hours) (Exclusions: FINH 4091 Advanced Seminar: Curating Art and Critical Writing; FINH 4091 Advanced Seminar: Curating Art) Tuesday 6:00 to 8:50PM Purdy Crawford Centre 103.
This course examines art and architecture in Europe and North America from 1900 to 1940. It covers schools and movements including the Secession, Expressionism, The Fauves, Cubism, Futurism, Constructivism, Abstraction, Dada, Surrealism, and Social Realism, as well as artists working independently of any formal group. It also addresses issues such as gender, psychoanalysis, primitivism, and the politics of colonialism and international warfare. (Format: Lecture 3 Hours) Monday and Wednesday 1:30 to 2:50PM Sir James Dunn Building 108.
This course provides a chronological introduction to the history of Western art from the early Renaissance to the present day. It explores critically the major movements that shaped art throughout these periods. (Format: Lecture 3 Hours) (Distribution: Arts-a) (Exclusion: FINA 2011; FINH 2011) Tuesday and Thursday 1:00 to 2:20PM Sir James Dunn Building 108.